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Brian De Palma

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Jay compares the film's style to that of Brian De Palma, noting their shared use of a dissociative and surreal aesthetic.

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Gone Girl

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Brian De PalmaGone GirlfeminismAbby RockefellerChristianityEdenIslammarriageMarxismmoralitypatriarchysocial justiceTrent HornVatican IIZionismAnglican ChurchapologeticsauthorityChristian patriarchy movementCorporate BacklashDating CultureDeathDebatedebatesfaithHeresyHistoryIsraelJeffrey EpsteinJuan PerónLGBTQ+ RightsMontanismphilosophyPope FrancisPrometheusProtestantismSocietySydney SweeneyThomistic paradigmtranshumanismdemographic collapsegender rolesArnold SchwarzeneggerepistemologyJohn Wick BallerinaJuniorPaul the Apostlepropagandascripturetheologycoherence theory of truthJohn WickmasculinityMKUltraNew TestamentPop Culturepredictive programmingpsychological warfareStar WarsFilm and ParentinggenderJay DyerNarcissismskittlesdouble standardsVaticanDavid FincherDavid LynchLa I Hate YouYvan Gauthiersurvival of the fittestJude LawAmyBen AffleckThe Gameesoteric themesGame BDressed to KillKill ListDasha NekrosovaEyes Wide ShutProgram to KillStanley KubrickMichael CaineThe KillerMorrisseyUnder the Silver LakemurderJohn CarpenterCape Fearcharismatic PentecostalismRobert De Nironon-denominational evangelismScary of Sixty-FirstHalloweenJeffrey Dahmermetal musicpunk musicRage Against the MachineLISC serial killerRC HorschRichard Ramirezserial killer caseserial killerssocietal changesThe VoidEnter the Voidindependent horror moviesThe InvitationBrian De PalmaGone GirlDressed to KillJohn Carpenter

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John CarpenterDressed to KillFabian SocietySydney SweeneyEyes Wide ShutEdenAnanda Armassurvival of the fittestDavid FincherBen AffleckJude LawAmyPragmatismCellActs 1:3feminism