Content

Eddie Bravo & Sam Tripoli On Weird Scenes Inside Laurel Canyon with Jay Dyer

videoJay Dyer2022-05-14watch ↗

In this episode, Jay Dyer discusses the connections between the Laurel Canyon music scene of the 1960s and U.S. intelligence operations, referencing the work of Dave McGowan. Dyer argues that many figures in the counterculture movement had ties to military or government backgrounds, suggesting a deliberate effort to manipulate public perception and steer the anti-war movement. He posits that this blending of arts and intelligence was a psychological operation to prepare society for future governance. Throughout, the conversation touches on historical examples and contemporary implications of such influences.

Chain 3 steps

  1. 0:13–0:20Dave McGowanLaurel Canyon
  2. 2:07The Wrecking Crew
    • Jay Dyer: Counterculture movements were steered for future societal control.“creating and steering counterculture, to engineer future generations to accept things like the Great Reset”
  3. 4:38CIA
    • Jay Dyer: The Laurel Canyon scene had significant ties to military intelligence families.“almost all of the really important players in that Laurel Canyon scene come from not just high level military families or government connected families”

Subjects

4
  • CIA4:38

    Jay Dyer discusses how the CIA was involved in distributing LSD during the 1960s counterculture, influencing public behavior.

  • Dave McGowan0:13

    Jay Dyer presents the thesis of Dave McGowan, who argues that the music scene in Laurel Canyon was connected to military and intelligence operations.

  • Laurel Canyon0:20

    Jay Dyer discusses how Laurel Canyon was a significant site of 1960s counterculture tied to military and intelligence families.

  • The Wrecking Crew2:07

    Jay Dyer notes that many famous bands of the 1960s used the Wrecking Crew for their music, indicating a lack of authenticity in the music scene.