Babylon Berlin Breakdown - Symbolism, Cults & Transhumanlsm
In his analysis of the series "Babylon Berlin," Jay Dyer delves into the show's rich symbolism and complex narrative, highlighting its connections to historical figures and movements such as transhumanism, organized crime, and occultism. He discusses how the portrayal of societal issues within the Weimar Republic serves as both entertainment and a commentary on modern political and economic structures. Dyer critiques the representation of characters influenced by the Illuminati and corrupt officials, emphasizing themes of manipulation and control, particularly illustrated through the character of Herr Schmidt. He draws parallels between the show's historical context and contemporary societal issues, suggesting that many patterns from the past resonate in today's world. Overall, Dyer's breakdown reflects a deep engagement with the show's critique of elite power dynamics and societal chaos.
Chain 6 steps
- Jay Dyer: Jay warns viewers about the explicit content in Babylon Berlin.“it's pretty degenerate at times.”
- Jay Dyer: The show explores themes directly related to the Illuminati and critiques economic systems.“I think that certain names of characters are chosen on purpose... it will become very clear by season three, uh, in every kind of sense of the Illuminati.”
via Carl Jung- Jay Dyer: The show critiques elite power structures through its depiction of organized crime.“they're beginning to see how they arrange the coming war.”
- Jay Dyer: Herr Schmidt represents a Satanic philosophy that seeks to transcend human characteristics through transhumanism.“man will become an evolve into robot.”
- Jay Dyer: The film 'Metropolis' is similar to 'Babylon Berlin' in its exploration of transhumanism.“it's like Metropolis. It's like literally, it's totally Metropolis stuff here.”
- Jay Dyer: Transhumanism is portrayed as the ideal in 'Babylon Berlin'.“the plot of the movie in the show is about demons being the ideal man.”
Subjects
13Jay discusses the show's portrayal of the Weimar Republic's degeneracy and its neo-noir elements, stating that it is not for everyone due to its explicit content.
Jay discusses Austrian economics, agreeing that while it holds value, it has limitations.
Jay Dyer claims Carl Jung was connected to Tavistock and engaged in controversial practices with the Rockefeller family.
Jay highlights the parallels between 'Metropolis' and 'Babylon Berlin', particularly regarding themes of transhumanism and societal structure.
Jay presents transhumanism as depicted in Babylon Berlin, involving the ideal of the 'new man' formed through trauma.
Jay explains the Black Reichswehr as a secret project involving the rebuilding of the German military after World War I.
Jay Dyer critiques the film "Cloud Atlas" for its Illuminati themes, linking it to the work of its director.
Jay discusses Geryon as the model for a new kind of man, used in experiments by Herr Schmidt.
Jay describes Herr Schmidt as the mastermind in 'Babylon Berlin', akin to an Illuminati figure orchestrating events and experiments in society.
Jay Dyer asserts that "Babylon Berlin" is fundamentally about the Illuminati, revealing further connections to socialist ideas in its narrative.
Jay Dyer mentions Olga Chekova as a potential inspiration for a character in "Babylon Berlin", discussing her role as a spy for Stalin.
Jay Dyer discusses the Rockefeller family's involvement with Carl Jung and their historical connections to occult practices.